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Papers On Italian Literature
Page 5 of 8
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Dante's "Inferno," Canto XXXII: the Frozen Sinners
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A three page paper looking at a short passage in Dante's "Inferno," describing the fate of a group of sinners frozen in a lake of ice. The paper shows how Dante, intending to invoke our revulsion, succeeds only in invoking our pity. No additional sources.
Filename: KBdante7.wps
Dante's 9th Circle/A Contemporary Vision
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A 5 page research paper that discusses Dante Alighieri's medieval masterpiece The Divine Comedy. The writer states that this poem is a profound statement on medieval theology, but is also a commentary by Dante on medieval society. These verses picture Dante, being led by the pagan poet Virgil, through Hell, Purgatory and Heaven. In Hell, i.e., The Inferno, Dante pictures meeting notorious sinners: some contemporary with his era; some from the past. This inspires the question of how the present day's most notorious compare to those whom Dante included in his epic poem. The writer discusses John Walker Lindh, Timothy McVeigh, Jeffrey Dahmer and the Unabomber in relation to where they would go in the Ninth Circle of Dante's vision of Hell. Bibliography lists 5 sources.
Filename: kh9circ.rtf
Dante's Inferno : Cause to Walk the Line
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This five-page-paper presents
a discussion about Dante's Inferno and an overview as to its meaning.
Bibliography lists one source.
Filename: CWdantes.wps
Dante's Paradiso
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This 9 page paper looks at the way in which the depiction of light in this work is used as a representation of divinity, with light becoming brighter as Dante moves closer to God. The way in which this is used and the underling mean discussed concentrating on the first two cantos. The Longfellow translation is used.The bibliography cites 5 sources.
Filename: TEdantpae.wps
Dante's Paradiso: Cantos XI and XII
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This 8 page paper discusses these two Cantos from Dante's Paradiso, one of the trilogy contained in the Divine Comedy. In these Cantos, Dante brings St. Thomas Aquinas into the dialog to discuss St. Francis of Assisi and St. Bonaventure to discuss St. Dominic. These verses find the same kinds of imagery, metaphors and opposites that are found frequently in the poem. General comments about Paradiso as well as specific comments regarding these two Cantos are presented. Why Dante had third parties discuss Francis and Dominic is explained. Bibliography lists 2 sources.
Filename: PGpards.rtf
Dante's, "Inferno":
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This 5 page paper examines the Christian poet Dantes and his work, "Inferno". Furthermore, this paper explores the use of pagan figures despite the authors Christian orientation, and this is explored within this paper. Bibliography lists 5 sources.
Filename: GSDantes.rtf
Dante/ The Inferno, Canto III
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An 8 page research paper that analyzes Canto III from Dante's Inferno (which is a part of his epic masterpiece the Divine Comedy). This examination uses a representative portion of the Inferno, namely Canto III, to illustrate how Dante used the framework of the poem to convey his ideas concerning religion and morality. Bibliography lists 5 sources.
Filename: khdante3.rtf
Dante/Inferno, Canto II
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A 12 page research paper/essay that examines the beginning of Dante's Inferno, with particular focus on Canto II and how Dante uses the symbolism of three as a unifying device that serves to emphasize the religious message that forms the main thrust of the poem. The writer discusses the symbolism of the three beasts and particularly focuses on the significance of the three blessed women, Beatrice, Santa Lucia and the Virgin Mary. Bibliography lists 5 sources.
Filename: khcanii.rtf
Dante/Use of Nature
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A 4 page essay that examines Dante's use of nature in The Inferno and The Purgatorio, which are part of Dante's epic The Divine Comedy. The writer discusses the meaning of nature imagery and how Dante uses this to convey his perception of spiritual truths. Bibliography lists 4 sources.
Filename: khdannat.rtf
Dante’s Inferno & Humanism
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A 3 page essay that discusses “The Inferno” from Dante’s medieval epic poem The Divine Comedy. This poem describes the experience of the author, led by the specter of the ancient Roman poet Virgil, through a journey of spiritual enlightenment that takes him through Hell, Purgatory and finally to Heaven. The punishments that are inflicted on the souls in Hell strike Dante, as a character in the poem, as inhumane, but Dante, the poet, makes it clear that each punishment is ideally suited as retribution for the sins committed by these souls while the individuals were alive on earth. Therefore, as the poem’s narrator moves through Hell, he receives progressive lessons pertaining to what it means to be fully human and fully in accord with the expectations of God. No additional sources cited.
Filename: khdanhum.rtf
Dante’s Inferno/Canto XX
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A 3 page essay that analyzes Canto XX from Dante Alighieri’s epic poem “The Divine Comedy,” which begins with the book entitled “Inferno” and records how Dante journeys through Hell led by the specter of the ancient Roman poet Virgil. In Canto XX, Dante, the poet as opposed to the character in the poem, reasons that piety lives but that pity is dead. This may seem hard-hearted to the modern-day reader, but it fits with the theological reasoning of Dante’s era, which believed that God’s justice should be accepted unequivocally and with complete faith, that is, with piety. Bibliography lists 2 sources.
Filename: khdanxx.rtf
Decameron By Giovanni Bocaccio
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A 6 page paper. The writer discusses themes and symbolism found in the Decameron. Bibliography lists 7 sources.
Filename: PGdecam.wps
Distinctions Between Dante Alighieri and his Fictitious Poet Dante in "Inferno," Part One of "The Divine Comedy"
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A 5 page paper which considers three distinctions between the real Italian author and poet Dante Alighieri with the fictitious character Dante he created in "Inferno," part one of his classic epic poem, "The Divine Comedy." Bibliography lists 6 sources.
Filename: TGdante.wps
Giuseppe Ungaretti
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A 7 page overview of the work of Italian poet Giuseppe Ungaretti. This paper emphasizes the varied cultural influences which undoubtedly shaped Ungaretti’s style. Noted for his use of few and very carefully chosen words, Ungaretti could accurately be described as a literary minimalist and exemplary of the hermetic movement. Like the French symbolists, he looked at poetry much as one looks at music. Even single words, had musical potential and tremendous power. Bibliography lists 6 sources.
Filename: PPungare.rtf
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